Tech Week!

Dig it.

It's tech week and we're workin' this show every night this week for our opening night this Friday. Here's a link to the Facebook event with all the info. You can also rock over to the Nearly Naked website for ticket info. It's going to be one hell of an unfamily friendly show and worth every damn penny. Sweet nudity from both sexes. AND my melodious voice and visage. It's like a gold mine.


Ben as Eros and Missy as Aphrodite

PHAEDRE now on SALE with EVIL DEAD!

THE SEASON ENDS WITH TRAGEDY & GORE!

TICKETS TO THE WORLD PREMIERE OF PHÆDRE ON SALE NOW!!

And purchasing PHAEDRE gives you access to PRE-SALE of EVIL DEAD: THE MUSICAL

BEAT THE SELL-OUT BY ORDERING BOTH SHOWS NOW!!!



PHÆDRE

Based on the play by Jean Baptiste Racine

Adapted & directed by Damon Dering

Cursed by the goddess Aphrodite, Phædre, the dying queen of Athens, falls in love with her stepson, Hippolytus. Her love grows into a dangerously passionate obsession that will destroy fathers, sons and kingdoms with its fury. One of the most enduring and powerful stories of classical mythology, this production of PHÆDRE will switch between classical and modern language, and between ancient and modern eras. An obsessive love story recalling the poetry of Euripides and the violent energy of Fatal Attraction. PHÆDRE is intended for mature audiences,containing adult themes & language, sexuality and nudity.


PHAEDRE preveiws on FRIDAY, MARCH 5TH,

opens on SATURDAY, MARCH 6TH and runs THU-FRI-SAT at 8:00pm until SATURDAY, MAR 27TH
SUN 03/07 & 03/21 at 6PM and SUN 03/14at 2PM

ALL SEATING IS GENERAL ADMISSION
FIRST COME (cough) FIRST SERVED

General Admission tickets
$25.00 and up

To purchase tickets call Phoenix Theatre's Box Office at (602) 254-2151 or visit us online at
www.nearlynakedtheatre.org

Performances are at:
THE LITTLE THEATRE at PHOENIX THEATRE
100 E. McDowell Rd. - Phx Theatre/Phx Art Museum complex on Central & McDowell

Phaedre and Being Topless on Stage

That is correct. N2T announced auditions for Phaedre, director Damon Dearing's adaptation of the Greek play, and I will be going out for the part of Ismene who also doubles as Aphrodite. I auditioned for this play last year and would have gotten the part had I not been going to Vegas. Needless to say the lesson has been learned and I will have zero conflicts ever again.

Getting this part means being topless on stage. I am down with this because in this case it's art. It's not some gratuitous love scene or something sketchy: it's the Goddess of Love. I really like this part, as being the side kick is always more fun than the lead, and I would love the chance to be topless in a tasteful way on stage. I can also safely say that if I get cast the show will immediately sell out. I have a huge chest. You know you saw it coming.

I've got my sides and my audition date on the 10th all lined up. I am going to kill this part. I love the language and I am chomping at the bit to finally work with N2T. And to get to the gym to work out like a mofo.

The First Review Is In!

5 stars out of 5 from Chris Curcio, KBAQ radio!


SUPERLATIVE “BLACKBIRD” PRODUCTION OPENS STRAY CAT SEASON

”BLACKBIRD”

Stray Cat Theatre, Tempe Performing Arts Center

Tempe, AZ

Leave it to our smaller theaters to bring interesting plays to town when the major companies ignore these works. Stray Cat Theatre opens its season with the local premiere of an acclaimed English play, “Blackbird,” by David Harrower. The production is a winner although it won’t appeal to all theatergoers due to the play’s controversial theme.

“Blackbird” is based on a real situation. Ray seduced Una, a 12-year-old girl, and was imprisoned. After his jail time, Ray begins to right his life. Many years later, Una, now a troubled adult, shows up unannounced at Ray’s work to confront him about their past.

At first, your hate is directed at Ray but as the 80-minute, one-act play evolves, the fast moving and revelatory script shifts and changes as your disgust moves back and forth between the pair. At the end, the playwright never answers for you who are at fault; that’s your decision. Was it Ray, the then middle-aged guy enraptured with Una, or was it the flirty and sexually mature girl who longed for a trusting relationship? Una hoped the intimacy would provide the love and trust she never got from her parents.

It’s a fascinating dialogue and Harrower is adept at shifting the audience hatred as mistrust between Ray and Una provides insightful details about the relationship. Harrower doesn’t answer who suffered most although there is no excuse for a man sexually seducing a girl. Una’s attack on Ray is traumatic, though, and opens the question of her stability both before and after the liaison.

Ron May’s superlative production provides a better interpretation than a previous production I saw. With his designer, he’s crafted a cramped, confining, and inhospitable break room that is ideal for the confrontation. His cast is wonderful in the two roles.

His cast both approaches their roles with a natural hesitancy since the pair would be tentative in such an awkward confrontation. There’s much realistic chatter but also genuine emotional outbursts at key moments during the strained meeting. David Vining’s Ray is just right. Initially he’s ashamed and remorseful but as Una attacks, he grows more confrontational and physical in his reaction to her. Nina Miller’s Una is no less flawless. At first, she’s hesitant, slow to place the burden on Ray, but ultimately she releases a stream of hatred and fears caused by Ray’s action. As the issues haunt her, her life is influenced. Miller evolves from a shy flower to a dominant champion of placing the blame as she sees it.

“Blackbird” is an uncomfortable experience but the story is fascinating and timely. “Blackbird” continues through October 10. For tickets, call the Stray Cat Theatre box office at 480-820-8022 or order online at www.straycattheatre.org.

Grade: A

Stray Cat Theatre presents: Blackbird

I have a wee part in a fantastic play opening on 9/25!



BLACKBIRD by David Harrower
Directed by Ron May
Presented by Stray Cat Theatre

He went to jail. She went home.

One of the more talked-about and controversial plays of the past decade, David Harrower's Blackbird has been featured on many American and London critics' top 10 lists and received the 2007 Olivier Award for Best New Play. Based on a true story, this powerful, volatile piece begins when Una shows up unexpectedly at the office of Ray, forcing Ray to come to terms with the effects of their past relationship. Una pulls him into a brutal encounter that is gripping, surprising and utterly unforgettable. How better to kick off a season Stray Cat style than with a pull-no-punches evening of theatre you aren't soon to forget? **Please Note -- This production contains strong adult content.
Performances:
September 25 - October 10
Thu-Fri-Sat @ 8PM Sun @ 2PM

Regular Price:
$20/Adults
$15/Students
$15/Seniors
$15/Military

Thursdays:
Always $10 Student Night
(valid ID Required)

Sundays:
$12 for Everyone

132 E. 6th Avenue
Tempe, AZ 85281

BONUS!
Catch Blackbird at a discount: 2-4-1 tickets to any performance Opening Weekend ONLY.
Use online Coupon Code BBOP241.


Come for a night of intense theatre, stay for my melodious voice and traffic-stopping silhouette. :D

The Little Dog Laughed

I auditioned for this play Tuesday night, for Nearly Naked Theatre. It's written by Douglas Carter Beane, the cat who wrote To Wong Foo, Thanks For Everything, Julie Newmar and is quite the wicked comedy. It's about a Hollywood actor named Mitchell who is gay and his agent who is trying to keep him in the closet. Mitchell is nailing this gay prostitute who is also sleeping with a woman. Hilarity ensues!

This was one of the rare occasions where I didn't get a chance to read the play beforehand. The director handed me a monologue and scene for the girlfriend part and I scurried off to a corner to look them over. I preformed the monologue first and got some great laughs. The director then asked me to pair up with one of the guys for the two person scene. Not everyone made it this far after their first performance.

We read over the scene a few times and then we were up. Now, this audition was set up where we were all in the room together at the same time. I hate these kinds of auditions. Normally I don't want to watch anyone else do the scene I'm about to do. This time, though, it worked to my advantage. I watched two couples do this scene and they were both different. So I took some cues from both of them and then added my own spin. I garnered some major rager laughs and felt so at ease and natural up there. It was also helpful to have all those other actors in the room as an audience to play off of.

I felt on top of the world when I left that audition. I felt I really nailed it, I made them laugh, I felt good about the choices I made, and that I made my audition quite memorable. It also helped that I didn't have much emotion invested in it. I found out about the audition two days before and could only get a hold of a synopsis and the first two pages. If I don't get cast of course I'll be bummed but I am really proud of the performance I gave at the audition and that makes it all worth it.

The director is waiting until next week to cast this show as their current show, RENT, closes this weekend and he's concentrating on that. There may or may not be callbacks, he hasn't decided. I'm ready for anything!

Take these broken wings and learn to fly

an offer you can totally refuse
hey lovely.
so here's the thing...
i know you've read 'blackbird'.
so i know you know there are a few bit parts in there (office people who walk past the clouded window and at the end, the woman's voice - ray's new squeeze).
i have a guy.
i need a lovely lady.
the commitment would only be a few rehearsals, tech week and obviously the run of the show.
i know it's far from the most glamorous option ever, but for something like this - since it's so vital to the show - i need someone i know i can trust.
lemme know whatcha think.
i'll keep my fingers crossed :)
hope all is well.
- r

And so, I will be joining the cast of Blackbird with the one and only Stray Cat Theatre. Being on stage is always better than not being on stage. I will once again get to spend time under the direction of one of my favorite directors, meet some new people, and bust back into the scene here in the desert. Perhaps I will learn a thing or two about dramatic acting. Show runs end of September through begining of October. More details to come!

Worth it?

There are auditions tonight and tomorrow for a play this summer called The Curious Savage that will only run for three shows. Thursday, Friday and Saturday. Two months of rehearsal for three shows. I don't know if I like the sound of that. It's frustrating to put in all that work for only three shows. It reminds me of college.

And the theatre is through a church. I have no problem with churches or people who go to them, I just don't want to be preached about converting or joining or any of that jazz. I'm not a religious person and it's not a religious play. I'm just not sure how it all sits with me. I don't know how comfortable I am in churches. I've never spent a lot of time in them and have only ever been to one church service.

I don't know how the whole thing is sitting with me. I ordered the play off Amazon and read it. I like it and there are two or three characters that could be fun to play. It's not like there is a lot of other theatre going on right now as the summer is starting to gear up, companies start gearing down. Mid summer I'll start working on the scripts for the fall theatre season.

It could be fun. I'm out of work right now and it's been a while since I've been on stage. And I may not even get cast. I'm a good actress but I'm not always right for the part. I'm a character actress and enjoy comedies. Drama is not my strong suit or what I really enjoy. These characters are funny and this play is a good one, though a bit dated. This theatre company looks like they do plays from the 50s, which this one is.

Auditioning is always a good thing. Keep yourself sharp, keep yourself on your toes, keep yourself in the game, keep yourself in front of people. It's a cold read audition which are always interesting. And, once again, the call backs are on a night I am supposed to go on a double date. Ain't that the way.

So Damn Close

Hey Niki,

I just wanted to personally thank you for coming out and auditioning for
PHAEDRE. I thought you did a wonderful job and I asked around about
you and other directors had WONDERFUL things to say about you.

I just wanted to let you know that your availability was a huge factor in
my decision making, and although there were other considerations, I
was really impressed with your audition and look forward to seeing you
at future ones!
Thanks again,

Damon Dering



I feel so stupid. I am so kicking myself. Fucking stupid. I think it's fantastic that he took the time to personally email me and had such glowing things to say and I'm glad it wasn't my acting that stood in the way of me getting this part. I just never thought something like going to Vegas would be the deciding factor in whether or not I got cast. What I SHOULD have done was written "tentative plans" or "flexible". If it's not a wedding I'm IN or something like that it shouldn't stand in the way of being in a show. Where are my priorities? Do I want to do this seriously or not? This should come before anything else. If this was the kick in the ass I needed to finally really get my priorities straight then I surely have it now.

The other thing is this is a workshop production to prepare it for full production next season which starts this fall. I could audition and get in the full production, which would be bigger and better. My BFF Mitch was relieved I didn't get cast as he doesn't think me being topless on stage would be good for me. Eh. All the shows would be sold out, but it's not like it would be vulgar nudity, the part is the Greek Goddess of Love. C'mon. I think itwould have been very artistic and I would have learned a lot from the experience. Hopefully I still can. I'm just feeling really stupid right now. To lose out on a part because of something so dumb is frustrating. At least I don't suck. =)

It's all Greek to me!

From February 25, 2009

I had an audition last night and I kicked the fucking shit out of it! It was great. Everything just came together.

Damon, the director of Nearly Naked Theatre, is writing an adaptation of this play called Phaedra. He has two versions he's trying to meld together: one is written in antiquated english and the other is in modern english. (But not Modern English) We auditioned with the antiquated english script which is written a lot like Shakespeare. It's about a Greek queen named Phaedra who is in love with her husband Theseus's son Hippolytus. The son is in love with a Greek princess names Aricia, who has been imprisioned by Theseus, and is the rightful heir to the throne of Athens. Theseus has been missing for 6 months and is presumed dead. That means Aricia is now free. Aricia has a best friend named Ismene who is her link to the outside world and tells her of the king's death and also that Hippolytus is in love with her. Aricia doesn't believer he because the prince seems to be violently against women but he confesses his love to her in the next scene. Thinking her husband is dead, Phaedra tells her step-son she's got the hots for him and he gets freaked out by it. And on and on. It's good stuff.

He sent out the sides in an email yesterday and I printed them out & read them over. I also was lucky enough to find the Cliff's Notes on the play online so I studied those as well. Knowing what the play is about helps alot in deciphering the sides and giving a better audition.

When I got there of course everyone else there knew each other and were hugging and talking and it really made me hate theatre people. It's fucking annoying all the insider shit. Of course I'm on the outside of it, so it's annoying, but I hope I'm not that annoying to other people. It really does alienate people.

There were 7 women and 2 men at this audition. I think there were auditions on Sunday, one of the women there had read before, and was pretty good. It was funny to watch the other auditions. He sent the 3 of us younger women outside to read over a scene together and we took turns reading the parts of Aricia and Ismene. This one girl was just NOT good. Right after she read for him he told her she could leave. Not a good sign for her. You're out. She was bad. So was this other older woman. The girl I read my scene with was a very tall, very thin, very pale, very blonde woman. It worked out very well though, as she really liked the part of Aricia and I really liked the part of Ismene, so that's what we read. I had to explain what the play and the scene was about to her but I had my shit down. It all came together for me in explaining the scene to her and what the characters were doing...I got that Ismene was excited about the news of the death of the king and Aricia's pending freedom and the news that the prince loved her, and Aricia didn't believe any of it. I also have a knack for the language it was written in and being able to get the idea across so the audience would get it.

Damon really liked what I did and asked me if I would be comfortable being topless on stage. The best friend part doubles as Aphrodite and the goddess would be topless. I said sure. It's not vulgar or lewd, it's a Aphrodite the Goddess of Love. I'm all about it.

He had the both of us women read two different scene with Aricia and Hippolytus, had us all stand back to back to each other to check our heights, and then we were done. I don't feel the part of Aricia as much as the part of Ismene but I could do it given time and rehearsal. Either way, I hope I get one of the parts.

The cool thing about this production is it's a workshop production. Damon is writing the script so the purpose of this is to prepare it for full production in their next season which will start in the fall. This production will be lightly produced which means essentially less money spent. There will only be 6 shows, and there will be a Q&A with the audience before and after each show to find out what they feel worked and what didn't, so we as a group can improve the script. It would be a really fantastic project to get involved in. It's really creating theatre. And Nearly Naked Theatre is one of THE theatres in town to work with. It would be incredible exposure for me as an actor as everyone who's anyone comes to see NNT shows.

He's got more auditions on Thursday and then he's going to make a decision so I hope I get in!

When you care enough to give the very best

From December 11, 2008

and it just isn't enough.

For six months I have been studying the one female part in this play I finally got to audition for. I had that shit down. Down. I've read the play over and over and had all the little nuances down. I wanted that part so bad. So bad. I knew that was a bad sign. You can't want the part that much, you only set yourself up for failure. You have to go in to an audition wanting to have the best audition possible. I rocked the audition. Then I got a callback. Awesome. I went in there and tore the stage up. I waited all day long for a call confirming and not an email denying. No calls and no emails. I checked my email around 12:45 last night and there it was. It was a very sweet email about how difficult the decision was and how much he enjoys watching me perform but it still said I didn't get the part.

I probably could have put in 2 weeks of work and gotten the same result. Jaren was right. It has nothing to do with hard work, it's luck and who you know. Unfortunately I know & have worked with this director before so there goes that theory.

I know it's nothing personal. I know he just found someone who better portrayed his vision of what this character should be and/or had better chemistry with the other lead. There was only one female part and after six hours of auditions he only called back five women. I'm glad I got called back but damn it, I wanted this fucking part.

I haven't been on stage in so long and I fantasized about getting this lead role with one of the best theatre companies in town, having all my friends come out, even getting my parents to come out for it, finally being back on stage in a great play, getting my name and face out there and it leading to other wonderful opportunities. God, I wanted that.

Most of the audition notices since I moved back here are for musicals. First, I'm not a singer. Second, I'm not in high school anymore. Then there are the plays or films that only need men or 45 & older women. Contrary to popular belief, I am none of those things.

I did the best I could do. I don't know what more I could have given. It's really hard when your best just isn't good enough. I'm just really pissed and really hurt I didn't get this part. The play was even written by my high school english teacher's big shot playwrite brother. Acting is about rejection and what I've learned is that it never gets easier. Sometimes it makes you wonder if you should shitcan the whole idea. God, I don't want to be average.

I've got the blues. The mean, lowdown, dirty, should-have-moved-to-LA, how-can-I-ride-Laurent-from-Twlight's-coattails blues.