Closing Weekend

Phaedre at Nearly Naked Theatre closes this weekend. Only two more shows. It has been such a great experience. To work with a director/writer on the world permiere debute of his script, something he is so passionate about and has worked so hard on has been a priveledge. It's been exciting to watch the story grow and flesh out on stage.

The cast and crew has been wonderful. So much fun, so many laughs backstage and on the town. I'm really going to miss seeing them every week. Theatre is a strange thing. It's like a microcosim of life. We create this world, develope it, live in it, then put it to rest, all in a matter of months. We experience and entire life cycle and then line up to do it all over again. I think the Hindus were right about reincarnation except it's all happening right now in this lifetime. And I like it.

Tech Week!

Dig it.

It's tech week and we're workin' this show every night this week for our opening night this Friday. Here's a link to the Facebook event with all the info. You can also rock over to the Nearly Naked website for ticket info. It's going to be one hell of an unfamily friendly show and worth every damn penny. Sweet nudity from both sexes. AND my melodious voice and visage. It's like a gold mine.


Ben as Eros and Missy as Aphrodite

PHAEDRE now on SALE with EVIL DEAD!

THE SEASON ENDS WITH TRAGEDY & GORE!

TICKETS TO THE WORLD PREMIERE OF PHÆDRE ON SALE NOW!!

And purchasing PHAEDRE gives you access to PRE-SALE of EVIL DEAD: THE MUSICAL

BEAT THE SELL-OUT BY ORDERING BOTH SHOWS NOW!!!



PHÆDRE

Based on the play by Jean Baptiste Racine

Adapted & directed by Damon Dering

Cursed by the goddess Aphrodite, Phædre, the dying queen of Athens, falls in love with her stepson, Hippolytus. Her love grows into a dangerously passionate obsession that will destroy fathers, sons and kingdoms with its fury. One of the most enduring and powerful stories of classical mythology, this production of PHÆDRE will switch between classical and modern language, and between ancient and modern eras. An obsessive love story recalling the poetry of Euripides and the violent energy of Fatal Attraction. PHÆDRE is intended for mature audiences,containing adult themes & language, sexuality and nudity.


PHAEDRE preveiws on FRIDAY, MARCH 5TH,

opens on SATURDAY, MARCH 6TH and runs THU-FRI-SAT at 8:00pm until SATURDAY, MAR 27TH
SUN 03/07 & 03/21 at 6PM and SUN 03/14at 2PM

ALL SEATING IS GENERAL ADMISSION
FIRST COME (cough) FIRST SERVED

General Admission tickets
$25.00 and up

To purchase tickets call Phoenix Theatre's Box Office at (602) 254-2151 or visit us online at
www.nearlynakedtheatre.org

Performances are at:
THE LITTLE THEATRE at PHOENIX THEATRE
100 E. McDowell Rd. - Phx Theatre/Phx Art Museum complex on Central & McDowell

CAST, Bitches!!

That is CORRECT!

I have been cast in Phaedre with Nearly Naked Theatre! MotherFUCK YEAH! I worked long and hard on this mo and I have fuckin' jazzed to be in it!


Nike, Greek Goddess of Victory, and my namesake.

The initial audition went well and the director called me the night before callbacks to direct me over the phone on how to read the monologue I had done at auditions. Callbacks lasted three hours and I read at least five times. I knew it was down to me for either the part of Ismene/Aphrodite, the princess's best friend, and the goddess of love (who appears nude), and the part of Panope, the narrator. I was bestowed the gift of Panope and I am thrilled.

I love being a story teller and I really feel like I convey the imagery of Greece and how magnificent the characters are. I also feel like I'm in comand of the show as I get to open it, show up here and there throughout it, and probably close it, as narrators are want to do. I'll see the script on Sunday when rehearsals start.


And, in a first for me, I already have an audition date set up for 12th Night of The Living Dead with Stray Cat. It's going to be a lot of work to be actively working on a current production while working on a Shakespearean monologue for another. I'm glad I am unemployed at the moment so I can have the time to devote to this: the things that are actually important to me. There are only three chicks in that play and I hope I kick enough ass to get one of the parts.

Always working. That's where I would like to be.

Phaedre and Being Topless on Stage

That is correct. N2T announced auditions for Phaedre, director Damon Dearing's adaptation of the Greek play, and I will be going out for the part of Ismene who also doubles as Aphrodite. I auditioned for this play last year and would have gotten the part had I not been going to Vegas. Needless to say the lesson has been learned and I will have zero conflicts ever again.

Getting this part means being topless on stage. I am down with this because in this case it's art. It's not some gratuitous love scene or something sketchy: it's the Goddess of Love. I really like this part, as being the side kick is always more fun than the lead, and I would love the chance to be topless in a tasteful way on stage. I can also safely say that if I get cast the show will immediately sell out. I have a huge chest. You know you saw it coming.

I've got my sides and my audition date on the 10th all lined up. I am going to kill this part. I love the language and I am chomping at the bit to finally work with N2T. And to get to the gym to work out like a mofo.

The Play About The Naked Guy

Got a callback for this badboy TONIGHT. Dig it. It's a really fun play with a bunch of fags and a gay porn star. My character is pregnant which is fun in and of itself. It's a Stray Cat production with the director from Nearly Naked at the helm. I'm going over my sides now.


I read my post there about being bummed after that last show I didn't get cast in. Man, I need to lighten up. It's not like I'm ever going to STOP auditioning. Plays and movies end and then it's on to the next one. It's not like interviewing for a job you hope to have for five years, unless it's a sitcom and even then shows get canceled. Yeah, it gets frustrating to get so close and then not get the part but man, that's how it goes. You're not going to get every part you go out for. I have done a far better job regulating my emotional investment in auditions and I have realized I need to scale it back even more. Good. I like this. This is where I need to be. I have friends in LA who go on a couple of auditions a DAY, you think they have time to get all up in arms about ONE gig? No! Suck it up, man!

Tough love on myself. That sound perverted. Nice.

Auditions galore!

So I went on two auditions simultaneously a few weeks ago, both for iTheater Collaborative in Phoenix. I was called back for Indivisible but not The Play About the Baby and ultimately not cast. Boo. But that's OK because the show goes up the same time that Nearly Naked Theater's Phaedra goes up and I'm gunning for a part in that.

I went on an audition for Unnecessary Farce with Desert Foothills Theater last night. That was a trek to get there. Way the hell up north, about an hour away. It's a great comedy and that's what I'm good at. I rocked the reading for both parts and the director called me this afternoon to tell me she thought I was wonderful and ask me to callbacks tomorrow night. Sweet. I have a feeling I'll get cast because I nailed it and because it's so damn far away. It's how I roll.

Then everyone can come and see me and laugh and I can hopefully get cast in some more shows in this damn town. More comedies, please!

The First Review Is In!

5 stars out of 5 from Chris Curcio, KBAQ radio!


SUPERLATIVE “BLACKBIRD” PRODUCTION OPENS STRAY CAT SEASON

”BLACKBIRD”

Stray Cat Theatre, Tempe Performing Arts Center

Tempe, AZ

Leave it to our smaller theaters to bring interesting plays to town when the major companies ignore these works. Stray Cat Theatre opens its season with the local premiere of an acclaimed English play, “Blackbird,” by David Harrower. The production is a winner although it won’t appeal to all theatergoers due to the play’s controversial theme.

“Blackbird” is based on a real situation. Ray seduced Una, a 12-year-old girl, and was imprisoned. After his jail time, Ray begins to right his life. Many years later, Una, now a troubled adult, shows up unannounced at Ray’s work to confront him about their past.

At first, your hate is directed at Ray but as the 80-minute, one-act play evolves, the fast moving and revelatory script shifts and changes as your disgust moves back and forth between the pair. At the end, the playwright never answers for you who are at fault; that’s your decision. Was it Ray, the then middle-aged guy enraptured with Una, or was it the flirty and sexually mature girl who longed for a trusting relationship? Una hoped the intimacy would provide the love and trust she never got from her parents.

It’s a fascinating dialogue and Harrower is adept at shifting the audience hatred as mistrust between Ray and Una provides insightful details about the relationship. Harrower doesn’t answer who suffered most although there is no excuse for a man sexually seducing a girl. Una’s attack on Ray is traumatic, though, and opens the question of her stability both before and after the liaison.

Ron May’s superlative production provides a better interpretation than a previous production I saw. With his designer, he’s crafted a cramped, confining, and inhospitable break room that is ideal for the confrontation. His cast is wonderful in the two roles.

His cast both approaches their roles with a natural hesitancy since the pair would be tentative in such an awkward confrontation. There’s much realistic chatter but also genuine emotional outbursts at key moments during the strained meeting. David Vining’s Ray is just right. Initially he’s ashamed and remorseful but as Una attacks, he grows more confrontational and physical in his reaction to her. Nina Miller’s Una is no less flawless. At first, she’s hesitant, slow to place the burden on Ray, but ultimately she releases a stream of hatred and fears caused by Ray’s action. As the issues haunt her, her life is influenced. Miller evolves from a shy flower to a dominant champion of placing the blame as she sees it.

“Blackbird” is an uncomfortable experience but the story is fascinating and timely. “Blackbird” continues through October 10. For tickets, call the Stray Cat Theatre box office at 480-820-8022 or order online at www.straycattheatre.org.

Grade: A

The Little Dog Laughed

I auditioned for this play Tuesday night, for Nearly Naked Theatre. It's written by Douglas Carter Beane, the cat who wrote To Wong Foo, Thanks For Everything, Julie Newmar and is quite the wicked comedy. It's about a Hollywood actor named Mitchell who is gay and his agent who is trying to keep him in the closet. Mitchell is nailing this gay prostitute who is also sleeping with a woman. Hilarity ensues!

This was one of the rare occasions where I didn't get a chance to read the play beforehand. The director handed me a monologue and scene for the girlfriend part and I scurried off to a corner to look them over. I preformed the monologue first and got some great laughs. The director then asked me to pair up with one of the guys for the two person scene. Not everyone made it this far after their first performance.

We read over the scene a few times and then we were up. Now, this audition was set up where we were all in the room together at the same time. I hate these kinds of auditions. Normally I don't want to watch anyone else do the scene I'm about to do. This time, though, it worked to my advantage. I watched two couples do this scene and they were both different. So I took some cues from both of them and then added my own spin. I garnered some major rager laughs and felt so at ease and natural up there. It was also helpful to have all those other actors in the room as an audience to play off of.

I felt on top of the world when I left that audition. I felt I really nailed it, I made them laugh, I felt good about the choices I made, and that I made my audition quite memorable. It also helped that I didn't have much emotion invested in it. I found out about the audition two days before and could only get a hold of a synopsis and the first two pages. If I don't get cast of course I'll be bummed but I am really proud of the performance I gave at the audition and that makes it all worth it.

The director is waiting until next week to cast this show as their current show, RENT, closes this weekend and he's concentrating on that. There may or may not be callbacks, he hasn't decided. I'm ready for anything!